This time last week I was basking in how great Motley Crue were at the Genting Arena the night before, and how excited I was to be seeing them at Wembley.

I’ll start this review by saying wow.

Now I’ll tell you why.

Firstly, Motley Crue as a band have been releasing records for over 30 years. When a band has had commercial success for that length of time; touring the world and playing to hundreds of thousands of people, it’s pretty fair to say they know their stuff. They know how to tour, how to put on a show and how to please an audience.

So it’s pretty difficult to review them in the way you would a smaller/lesser known band at a smaller venue.

Even so, there are bands that lose their shine and passion as the years go on; and perhaps their performance suffers as a result. Maybe it’s age, maybe it’s band fall outs, maybe it’s quality of musicianship.

You couldn’t say any of that about Motley Crue’s two performances last week. The stage show was big – there was lots of pyro, millions of lights, fire, and a drumkit on a rollercoaster.

Yep, Tommy Lee’s whole kit was attached to a rollercoaster that came right out into the crowd. During his drum solo he traversed the length of the coaster and back again; going upside down while also spinning around on the drum platform. Pretty spectacular stuff!

All of the big hits were in there with pumped guitar riffs and singalong vocals. Vince was flanked by two hot girls in tiny leather outfits, and why wouldn’t he be? This is a band who were instrumental in 80s rock and really lived the rock and roll dream of sex, drugs and debauchery. They’re over 50 now, yet to watch them you wouldn’t know it. There were no signs of lethargy or slowing down- each and every member of the band was really going for it.

Vince’s vocals have taken a battering in certain reviews I’ve read, and a lot of people decided not to see them again after outdoor festival performances at this year’s Sweden Rock and Download. I don’t think an outdoor festival is ever the best representation of how good a band can be, to be honest. And with the amount of energy and movement he puts into working the stage, it’s hardly surprising he doesn’t hit every single note!

I’ve seen them 6 times in total now, which is a lot for a band I never really thought I liked before the first time, but I can honestly say that I’ve loved each and every show. Part of the brilliance is that there are hardcore fans at their gigs who absolutely live and breathe their music, so the atmosphere and excitement is electric. And the band genuinely seem to care about their performance and giving everything. The visual aspect of the shows, as well as the audio, is above and beyond what a lot of bands do.

At the end, Vince and Nikki stepped onto two mechanical arms which then swept out into the crowd, so they were over and above the audience and playing to people below.

Necessary? Not at all! Imaginative? Yes! Expensive and difficult to set up at each gig? You betcha! But they did it because the passion is still there to deliver a great show.

The finale couldn’t have been more different. The band left the main stage and made their way to a small platform half way in the crowd, lighting their path with torches. Just the four of them; Nikki on bass, Mick on guitar, Tommy on piano and Vince on vocals they sang Home Sweet Home.

No fancy effects, no bright lights – just the band in a pared down, intimate (well, as intimate as you can be in a sold out arena!) and emotional goodbye.

Crue famously signed legal documents stating that they will never tour again, so there was always going to be a lot of hype to this tour. Sceptics would say it’s a sure fire way of selling out venues, which they did. And of course there’s lots of sadness from lifelong fans that they’ll never see them again, but going out on a high was a good move. The fans will be left with nothing but positive memories of a great live goodbye.

Thanks, as always, for reading! x